Part 1: Morphology
Danny crams potato chips into his mouth.
Hey, Maury says. Give me some of those.
Danny turns the bag upside down, shakes it into the grass. Powdered
bits drift out, empty crumbs. The boy crunches, swallows, smiles.
All gone.
You little . . . Maury says. He ruffles his son's hair. I didn't
even get any.
Danny smiles again, shows teeth. All gone, he says. All gone.
Ha.
Sure, rub it in, Maury says. The boy is ten but sometimes talks,
Maury can't stop himself from thinking, like he's five.
Otherwise, the moment is perfect - commercially vibrant, Maury's
marketing colleagues might say. Not that they would be caught
dead in the forest. The night all around. Maury keeps eyeing the
woods. There's nothing out there, he tells himself. And hey, here's
something else to keep in mind: there's nothing wrong with his
son. He's trying to keep that in mind. Haven't the experts examined?
Weren't tests run? Maury pictures a test - an examination - jogging
down the halls of a hospital, doctors and experts chasing after,
white coats fluttering, stethoscopes bobbing. Ha ha. All gone.
It's not funny. If they don't know, who knows? They can sink into
his son, go past the point where Maury gets stuck: Parental longing.
Need. Desperation. Did it happen, or didn't it happen? My brother.
One day, Maury thinks, he'll pay for what he did.
What did he do?
Danny fidgets, floats a hand across his face. All gone, he says
in a simpering voice.
Yeah, I know, Maury says. I know.
Danny stares at the fire. Makes to throw the bag into flames,
looks to his father.
Okay, Maury sighs. We shouldn't, but just this once. Bad for the
environment. The ozone.
Danny flicks his wrist. The chip bag dances, settles, shrinks
from green to purple, flames creeping over it.
Cool, Danny says. He leans his head against his father's shoulder.
Maury puts an arm around him, is relieved about something out
of proportion to what just did or did not occur. He swallows the
lump in his throat, blinks. Through the woods, on the other side
of the lake, wolves howl. Maury thinks: Kodak moment. Time for
a Nescafé. You deserve a break today.
But it's not like that at all; the sound is instant and collective,
the opposite of some force-fed jingle. Necessary. Like air.
Daddy?
Just the wolves, Maury says. He holds his son tighter. Glances,
again, at the furtive night concealed in the looming woods. Just
the wolves, he says again. They don't mean any harm.
Wolves are cool, Danny says.
Danny used to be afraid of the dark. Ha! What a baby. Afraid of
the dark! He's ten now. He's not afraid of anything. He can stay
up all night. Even alone - I'm not - alone in the woods. Sure,
could- Wolves out there. Won't hurt me. Could-
Danny wants to be alone. He wants the dark, the woods. That's
what he's discovered. A revelation, though he doesn't know the
word. Have fun, his mother said. Have fun with your father. She
said it like she didn't really believe it. Danny picks up on things
like that: back-of-the-throat tremors and vibrato inflections;
the way his parents say things they don't mean as if they think
they can make a lie true by giving it words.
Danny doesn't trust words. His father heaves himself to his feet,
throws a handful of branches complete with rusting pine needles
on top of the dwindling blaze.
Woosh. The heat peaks, flames curling toward Danny.
Careful, Maury says. Step back.
Danny extends his palms. Feels his skin singe. Words are what
people say. Have fun with your father. Careful. Step back.
Danny prefers silence. Prefers feeling.
Pain on flesh.
-hot-oww! Too close-
Things happen. What do words do? They don't happen.
Just as quickly, the flames recede.
Danny sits down again. The dirt under him. Cold. His arms burning.
His face damp. His eyelids heavy. He'll sleep soon. Won't be able
to stop himself.
Maury's body jammed deep into a sleeping bag. Sunlight through
the roof of the tent. He's in a tent. In a tent in a forest with
his son. It's so simple. But there are complications. The wind
blowing past places you'll never go. There are factors, possibilities.
Things that could have been different. Things that might not have
changed. What he did. What he knows he did. Knowledge is elusive,
slippery. That's what makes us civilized, Maury thinks. That's
what makes us human. He doesn't fight with his wife. There's nothing
wrong with his son. What happened might not have happened. That
can't ever be taken away.
Where is he now, Maury wonders. My brother.
Danny squirrels out of his bag. I'm hungry, he says.
He's hungry. Maury's got his hands behind his head. He's staring
up at the belled dome of the tent. It's morning - so what? The
boy's hungry.
Breakfast, Danny explains. He licks his little lips like a calf.
Daaaad . . . I'm hungry.
Maury blinks. Sits up. He's got a hard-on, has to piss.
So how about a good morning? he says.
Hungry.
So okay. Get some water from the lake in the pot. Wait - put something
on before you go out. A sweatshirt or something. It's chilly in
the morning. We'll have oatmeal. The kind you like. Those little
packages with the chunks of fake maple syrup in them. You know,
the fat guy on the rocking chair. You love that shit, right?
Danny grins. Don't say shit, Dad. Slips out of the tent. Mitch
Moose pyjama bottoms. No top. Tan back. Green forest. Smooth water.
I said put on a shirt or something. Maury crosses his arms under
his head, wishes he had someone to tell him what to do, where
to go. When to piss.
They hike through the woods, follow the twisting path up the hill
to the ranger station. It takes an hour. Longer with Danny. He
stops. Looks at a toad.
C'mon, Maury says, though he's secretly glad of the boy's interest,
wants to have clever things to tell his son: the names of the
trees and fungi; the puzzle fit of interlocking lives in this
particular swath of semi-wilderness; what lives and what doesn't
get to live; what can be seen without being seen.
Maury wrote a book once. Now he's lost in the woods. Not really.
It's a marked trail. Still. Maury keeps glancing behind him, feels
like someone else is coming down the path. There's no one there.
Eyes on him. In between the dark boughs of the trees. What kinds
of trees? He has no idea. Maury has to resist the urge to make
things up, doesn't want the boy to find out one day, think his
dad was a liar. One day he'll write another book. In the meantime
he's no worse off than anybody else. He has responsibilities,
pays experts when needed. If, god forbid, they should be needed.
You can be an expert in certain things, Maury figures, it's not
impossible, it's not like there can't be experts. There are experts
in forests, experts in lakes, experts in propane camp stoves.
Maury's an expert himself. Only, he wonders what he really knows.
He used to think he could make anyone buy anything. Used to? I
can still-
Danny stoops, picks up a grey bone. Shows it to Maury.
Some kind of wing, Maury suggests. Hawk, or falcon, maybe?
It looks like a drumstick - but he doesn't tell the boy that.
What's the point in telling him that? Sure, it's a bird bone.
Chicken. Somebody's picnic. Danny picks up a rusted pop can. Coke,
Maury says. It's quiet in the forest. Danny turns the bone in
his fingers. Most of the sounds we can't hear, Maury thinks. Like
ordering off the English menu in a Chinese restaurant.
Danny runs ahead, skips in and out of his untied running shoes.
Maury doesn't notice. The boy could fall, trip, graze a knee,
skin an eyebrow. Maury sometimes wants to argue with his wife.
Danny's not as fragile as he looks. They walk. That feeling again.
Like he's the girl in the horror movie, watched through binoculars,
stalked for some deviously nonsensical reason. Maury knows he's
just being paranoid. Woods! There's just too much in them!
Not much of a slogan. Seriously, though. They're always twitching
and creeping. Maury doesn't like to think about what may or not
be in the woods. Details annoy him. He prefers to take the long
view, to see things expansive and hazy like the sky touching the
crest of the path, forest into a layer of melting cloud, the ends
of things looking a lot like beginnings.