The EDitor

In the EDitor, Ed Ronald submits two fractional portraits of his perfect life with his perfect wife, Maggie. The accounts are somewhat slight and, by virtue of their happy-go-lucky tone, not particularly exciting; the closest thing to pathos is some cultural insensitivity in Mexico (on the part of the narrator). The average- joe subject matter is not enlivened by sparkling prose or extraordinary insight. (Daniel Marrone)

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